scenographic moments in two parts is an experimental anti-horror live music performance and installation set within a visual meta-narrative.
Premiered at §112 Fredrikstad pilot festival on May 31, 2024, in Fredrikstad, Norway.
Critical Reception:
Gian Maria Tosatti, Italian visual artist
“It was a visionary sink into an existential and political labyrinth, full of echoes from European philosophical and artistic thought.
What impressed me too, from that experience was how simply (and with very poor elements) she was able to overturn the perception of the visitors and taking them into her world”.
Karoline Skuseth, curator at BIT Teatergarasjen, Norway
“Irina's work is characterized by a strong commitment to feminist values and a desire to subvert traditional power dynamics, as well as a talent for combining disciplines and techniques to create immersive experiences that blur the boundary between the stage and the audience.
Her innovative approach to scenography is marked by a willingness to take risks and adapting to changing circumstances. Through her creative vision and experience as a set designer, Irina skilfully creates atmospheric spaces that appeals to a wide range of senses, inviting the audience to explore and engage with the artwork”.
In contemporary society, individuals often adhere to established norms and regulations, which can shape values and potentially constrain thought processes. The concept of manifestation reinforces societal roles, while de-manifestation seeks to analyze and deconstruct these structures.
As individuals pursue societal expectations, identity conflicts may arise, sometimes leading to a departure from personal ideals. The process of de-manifestation explores these identity-related inquiries, aiming to liberate individuals from imposed societal stereotypes.
This concept prompts reflection on one's authentic self and the potential for self-discovery through the process of de-manifestation. It represents a significant step towards enhanced self-awareness and emancipation from socio-cultural limitations.
The "de:manifestation" performance emerges from this concept, presenting an encounter with a metaphorical entity that mirrors our own selves. It encourages participants to reflect on their individuality and engage in a quest for authentic identity within a world characterized by prevalent societal norms and behavioral patterns.
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photo by Ole W Moe Lund, showing how it appeared through the glasses
